Showing posts with label Dance: Expression of soul. Show all posts
Showing posts with label Dance: Expression of soul. Show all posts

Friday, February 5, 2021

Arangetram - Never give up!


Ever witnessed the joy of reaching to a top of a mountain and looking at the breathtaking view after a rugged climb? It is so satisfying. But no hard climb is complete without obstacles. And so was my journey of dance. ‘Arangetram’ is a prodigious performance which is done after years of training. It is the perfect example of hardwork, dedication and willpower. At the end, it is the journey what teaches us and what we enjoy the most. So here goes mine!

My journey started in 2018 when Tai* first announced that you are ready for ‘The Arangetram’ after 9 years. My parents and I had decided to do Arangetram alone instead of a group since there was no one ready enough to perform with me. I was so happy to hear that it was finally my time to perform Arangetram but the next thought that crossed my mind was ‘now I have to work my fingers to the bone. Huh!’ The thought scared me for a second. But now there was no turning back.

My first day of practice was so tiring that my legs shivered while getting down the stairs. My practice included a routine diet of beetroot, cucumber some fruits, two large bottles of energy liquids and regular lunch with increased chapati (wheat bread) which were to be finished during the practice. Believe me that’s a lot! I still remember the Christmas vacations when the practice was in full swing starting from 9am till 9pm. Throughout the day I’d practice, eat lunch, watch performances of previous Arangetrams, take power nap and then back to practice. Well, that was hectic! During this time Tai has been our mother throughout; right from making kadha* if anyone was unwell to taking the practice at her own house daily.  

The fun part was when we had a trip to Shri shri Ravishankar ji’s Markal ashram. Every batch of Arangetram is taken to a trip for bonding with each other. And so was this trip. We slept under the stars in the tent, meditated, did a photoshoot, adventure activities and a lot more. After the trip, we were relaxed, refreshed and back to practice.

Photoshoot (Lord Vishnu position)

After months of practicing there was a time when I couldn’t even sit in the basic position of Bharatnatyam (Ayatamandalam). That’s when I realized that the pains resembled the ones which had taken place when I jumped while playing a few weeks back. My right knee would hurt to its worst possible. After visiting the doctor I found out that I had partial ligament tear. I still remember his words, as he said, “You can’t dance any further”. I was speechless. I held my tears all the way home and that night I couldn’t resist and let it all out. That was a nightmare. You can’t tell a dancer that she can’t dance especially when it’s time to give the most prestigious performance of life. Thus, there was a long break of almost 9 months. But as elders say, the hard times passes quickly if you stay strong and fight back. I did the same. I did the recommended exercises, physiotherapy sessions followed the prescriptions and rested as much needed. And that’s how I overcame this hurdle and was more than ready to continue with my journey after doctor’s consent. I would literally perform an item from the margam* and then use an ice pack. In a way it did feel good!

Soon was my first practice with my vocalist. And to be honest it was pretty awful. I was so nervous. I messed up with the beats, with the sequence and was technically poor. That’s when I knew I had not given my 100 percent. There were times when I would say that I am done! But then there was my mother, who would just end the conversation by saying ‘you have to complete what you have started’. That’s what kept me going. My dad was my driver throughout. He would leave his office just to pick up and drop me. I am so grateful towards them that they were ready to do anything possible to make the performance a success.  


My first 3 months of 10th standard were all about dance. Revising the beats while teacher is teaching was all I would do and the songs kept running in my head all day. And trust me, not understanding a word and getting ready for an exam which is just round the corner is a deadly feeling!

I still remember that we were once practicing and were almost done with the choreography of the margam but lacked of a perfect end since there was nothing that could match my theme of ‘Lord Krishna’. When my Tai’s guru Smita Mahajan tai learnt about this, she herself composed the song and provided it within few hours. I was astonished and was feeling so blessed. Who would have ever thought that a person like her would compose a song just for me within few hours? Cause it’s a tedious task. I am so thankful to her. After all these months, I gave my best at the final practice with my musicians, which was really memorable. The photograph above is taken after this final rehearsal where i am totally sweating. It is so fulfilling when you give your best and get appreciated. Right?

Left to right- Parimal Choudhary (chief guest), Guru Smita Mahajan, Tanisha Raskar, Guru Snehal Phtak-Kalamkar.

After few days, my costumes and jewellary arrived and were ready to be used. According to Indian tradition, one has to seek blessings from the god Shiva and perform a short pooja* before the performance for it to go well.  

(Photograph) Here is Tai tying ghungurooson my feet after pooja.

The Next step was photoshoot which was few hours long but was definitely one of my cherished experiences. Soon the invitations were out and everybody was excited and eager to see the program.

 My Tai has been the most dedicated and an inspiring woman. She has two children- One a 6 years old girl and the other 2 months old baby. Yet she never let them affect my practice. Her patience is just commendable. She has helped me all this way to make it up to my goal. I often wondered why doesn’t Tai ever say that I did well even though all the others did. ‘You have to do better’ is all she would say. After all the practice, it is acknowledgement from your teacher that matters the most. Isn’t it? My Arangetram was the place where I first heard the words of appreciation from my Tai and it was the best moment ever. That’s when it hit me that all I wanted was to please my guru and in this process of pleasing her, her every ‘you can do better’ resulted in me doing the best possible. And my final performance made me that worthy to receive her admiration. That was the best gift ever!

 My first stage performance alone for 3 hours was more of fun because now I was able to enjoy dance and was lost in it completely. My mother, was, I think the happiest woman on the Earth. She literally was so emotional while giving the speech while expressing herself. The auditorium was filled with emotions and the air with happiness. Ultimately, the performance, the appreciation, the love that you receive forever and the satisfaction of giving your best is all that matters. This journey of mine has taught me life lessons and would always be preserved in my treasure chest of memories.


Kadha*- a Mocktail consisting variety of herbs and other ingredients like cumin seeds to stay healthy.

Margam*- List of all the dances in a particular sequence.

Pooja*- Indian ritual performed to seek blessings from god before any good deed.

Ghungroos*- anklet bells (literally)

Tai* - used for calling elder sister. Here (to address a teacher)

Missed the program? You can now watch the entire program on youtube from the links below. In sequence.

3.https://www.youtube.com/watch?v=usIbRBHQ2MM

Sunday, January 3, 2021

My Journey of Dance

                      What is the beauty of dance? The expressions, the bodily movements, the elegance and so the list goes on. That’s how an Indian classical dance 'Bharatnatyam' gets its basic essence from. Right from the beginning music always had a special place in my heart. I would dance my heart out for hours. I still have the recording of me dancing on an Aarti* with red dupatta* on my head: considering them as my long hair and assuming ‘audience’ on the chairs. Truly! Childhood is filled with so much of innocence. So, that was my 1st, imaginary stage performance.



                My mother loved to see me so engrossed in dancing. And that’s why we decided to join a dance class. I still remember a woman standing on the door to welcome the newcomers. Her face was lightened with a broad smile; her large dark eyes were glittering as she called us in. She was my Guru (teacher): Snehal Phatak-Kalamkar. We call her ‘Tai’*. That day she held my hand and has not left ever since.

                  The dance class was like a Gurukul* always filled with girls rehearsing, seniors teaching juniors, girls practicing the taals* and learning. It was my favorite place to go; and seeing me enjoy dance, was my mother’s favorite thing to do so, she too joined dance with me. Coming from the village region they (my mother and her siblings) were deprived of the art related amenities and so, the joy on her face of ‘better late than never’ was so satisfying.

                Stage fright is one of the many fears that children now-a-days have. Tai used to arrange entire class program once in a year. And so even the children would overcome the stage frights and the parents would enjoy watching them on stage. The practices for the program would begin months before.  Like every other 9 year old kid, I had this fascination of being in a lead role. And at that time the theme was Shiva- Parvati*. I had got the role of lord Bramha* yet I yearned for the role of king Daksha* who had comparatively more importance and time on stage. I did get the role but after so many years I realized that it is not about how much time you play the character but about how beautifully you can convey it to the audience.



Dance has taught me a lot. It has helped me grow into a better person.

                 “Taiyya- tai. Sit more in the ayata* position. Keep your hands straight.” were the words of Tai trying to perfectionate every step. Everyday same instructions to which I just used to neglect. As I exalted from a junior to senior dancer there came a time when once I had to take the class. I was so excited with the thought that the girls would dance as per my instructions. How cool would that be! The class began with the first batch of the youngest girls. And to be honest that was the hardest one. Teaching every step again and again, making them listen to you, explaining everything in the simplest way possible and controlling rage when every time they go wrong. Then it struck me that being a teacher is all about having patience and how did Tai managed to have patience straight away for 4-5 hours? That’s an amazing value teachers have which actually takes years to build up and is taken for granted by us. That day teaching them I realized what patience is and also the importance of perfection. Tai always says “when we teach others, we learn twice and also try to perfectionate ourselves.” True, right?

It is difficult for us to be completely perfect, but doing what we love to do perfectly, is a step that we take towards making ourselves perfect.

              Then after 10 years of perseverance came the time of Arangetram which is the most prestigious program where a dancer displays her skills for 3 hrs. But no journey is easy and so wasn’t mine. Want to experience this journey? Do stay tuned for the next blog.

 This blog is specially dedicated to my guru Snehal Phatak-Kalamkar (Tai).

Aarti*– Indian recitation of holy verses.

Dupatta* – long piece of cloth like a stole.

Tai– used for calling elder sister. Here (to address a teacher)

Gurukul* ­– Ancient boarding schools where disciples used to stay with their teacher work for them and earn knowledge.

Taal* – Rhythmic beats given my hand to ensure the accuracy in dance steps.

Shiva-Parvati* – Indian god and goddess.

Daksha* – Indian Mythological character.

Ayata* – Basic Bharatnatyam position

Rogue Ride

Bonjour everyone! After a really long time huh! I know I know the boards and all. Now that they are over here’s a new story. Long time a...